Their eyes meet each other for the second time and guess what? it is the good scene of their meeting. Hayati's got the umbrella and got permit from zainuddin. Then small talked were happening among zainuddin, hayati, hayati's friend, and penjula lapau. Hayati's friend notice Zainuddin deed and inform to hayati, yet hayati stay cool. He offered his umbrella to be borrowed by hayati. Zainuddin has umbrella, he was standing in line with his fellow. Hayati and her friend were trapped by rain. Then he get used to attend Islamic preaching and literature. Zainuddin intention was to pursue Islamic science and general science. I guess every viewer enjoy this scene very much. It is slow motion scene in the film that the viewer can feel the situation that this is the first scene of Zainuddin and Hayati's romance. In this scene it is clearly appeared that Zainuddin enjoy his seeing and hayati see zainuddin without any comment. They studied in Padang panjang and sometimes come here".
"who was that?" "it was hayati, the blossom flower of batipuh, she and her brother orphan. The woman took a glance at zainuddin and their eyes meet each other for a while. Zainuddin see the woman and a boy inside the dokar. When they walked along the field, unexpectedly a dokar (traditional transportation to carry several persons that carried by horse) passed by zainuddin and his ninik. Tomorrow morning, zainuddin took walk with his ninik at the field. So, kind of commercialization in owr own family. The scene above showed us that, although you live in your own family house, it is permissible to pay several cents to that family. Ninik seems not agreed with his mak attitude. Nevertheless, zainuddin gave her several guleden (nominal of rupiah that accepted at that era). The house of his family, first Mak unwelcome. Hence, although zainuddin father was pandekar sutan, moment was never the same as it was. She afraid of batipuh refusal if zainuddin arrived. Thought, mak basse felt anxiety because this was the first time Zainuddin butta ujung pandang (ujung pandang land). He said to mak basse that he wanted to see his father land. Then zainuddin went to Padang, he arrived at the small village called batipuh.
THE SINKING OF VAN DER WIJCK CRACKED
It seems from Herjunot's dialect in the sad scene "pergiko semua" to me it was weird but cracked the point that the viewer can feel his disappointment to Hayati. Nevertheless, the dialect coach was doing well. Yet, herjunot Ali as Zainuddin not really as buginese dialect, he spoke little bit weird. the figure of Mak Basse was chosen correctly by director and it was perfectly true that the Mak Basse spoke Buginese without missing any dialect at all. As stated in the novel, the sea was quite and windy.
In the first scene it was perfect cinematography. It is said that zainuddin spent his time not only in the city of Makassar but also in Bulukumba, one of regencies in South Sulawesi. Yet, pendekar Sutan and Dg habibah had prepared all zainuddin need in order to continue his life. Then in padang it is matriarkal so Pendekar Sutan, zainuddin Father doesn't have a lot of prosperity cause the heir is daughter. So Dg Habibah doesn't have a lot of prosperity as the heir is for son. Whereas padang is matriliarkal and Bugis is Patriarkal.
Considering zainuddin's father from Padang, it makes little gap between two cultures.
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